Raju Korti
My first glimpse of Anthony
William Greig, better recognised by cricket buffs the world over as Tony Greig,
dates back to 1972-73 when I was among the countless school-going boys
hysterical about the game. The Englishmen were led by another Tony, Lewis, who
looked more like a Hollywood star and became an instant hit with the Indian
media for his impeccable manners. On that tour of India, however, the scene
stealer was Greig with his six feet seven-inch frame and infectious energy.
That was not his only claim to fame. Greig, with his aggression and
crowd-friendly antics, was lustily cheered wherever the teams played. My most
abiding memory of that tour is of Greig protecting the boundary and catching
oranges thrown at him by exuberant spectators with the same practiced ease as
he caught cricket balls.
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| Tony Greig (Wikipedia grab) |
Greig was a revelation on that tour with his all-round
performance. As a batsman, he would stride out boldly to the Indian spinners
and hit them into the stands. As a bowler capable of bowling gentle medium pace
and cutters, he could extract awkward bounce even from the placid Indian
pitches. Greig had both height and stature, if you know what I mean. Thanks to
Wisden
Almanack and
Sports and Pastime, which carried articles by the likes
of Neville Cardus, Jim Swanton, Jack Fingleton, and Richie Benaud, we
youngsters were very well informed. We knew how Greig, who could never have
played international cricket because of the Gleneagles Treaty, was pitchforked
into the English team due to his Scottish parentage. The Treaty barred South
Africa and its players from international cricket because of apartheid, and had
it not been for his ancestry, Greig would have been condemned to play alongside
greats like Ali Bacher, the Pollock brothers, Eddie Barlow, and Mike Procter in
domestic cricket, since the Pretoria regime remained adamant on its racial
policies.
In a way, Sunil Gavaskar, who strode like a colossus on the cricketing
firmament during the historic 1971 Caribbean tour, was partly responsible for
introducing us to those South African giants. Garry Sobers, whom I consider the
game’s greatest of all time, picked Gavaskar for the Australia versus Rest of
the World series, and that team included several South Africans whose names
were already legends to us.A couple of years later, Greig’s antecedents came in
handy for media tycoon Kerry Packer, who used him to recruit the best of West
Indian, Australian, Pakistani, and South African talent for the World Series of
Cricket, derisively dubbed the “Packer Circus.” It turned out to be just that
in letter and spirit. All the cricketers were banned by their national boards
for their “betrayal.” For all the interest and hoopla generated by the Packer
Series, the matches were largely low scoring and became little more than
statistics in record books. The point, however, is that Greig’s leadership
qualities had surfaced even before he was formally inducted into the MCC’s Test
eleven. His role in that colourful venture later cost him England’s captaincy, which
he had inherited from Mike Denness, and exposed him to criticism and
bitterness.
During the home summer of 1974, England faced three Tests each
against India and Pakistan. Greig averaged 42 with the bat and took 14 wickets,
his hundred against India at Lord’s being the highlight. It was good
preparation for the Ashes tour of Australia, where the Englishmen, uncharitably
called “Poms”, were the favourites. As it turned out, they were made to hop,
skip, and jump by the blistering pace of Dennis Lillee and Jeff Thomson. While
most of his teammates were clueless about what had hit them, Greig stood tall
with a gritty 110. He was a standout character in a losing team and won the
admiration of the “hard-playing” Aussies who respected his approach to the
game.
When Greig toured India again in 1976-77 as captain, he justified the
mantle by winning a series in the subcontinent against the best spinning attack
in the world. I was then a college-going youngster who realised how thoroughly
he had done his homework. I remember watching the tall Greig holding his bat
almost chest-high against pacers and then adjusting his stance quickly to bring
the bat down against the Indian spinners.
By 1987, the equations had changed. I
was now a journalist with The Hindu, and Greig had taken on a new role
as writer and commentator. In the Press Box, I was fortunate to be seated
between Greig and another commentator I deeply admired, Trevor Bailey. I was
working on an in-depth feature on Bailey. Greig, who overheard our conversation,
tapped me on the back and said warmly, “That was wonderful, mate.” That little
boost led to an interview with him at his hotel. He was amused to know that he
had once caught an orange I had thrown at him during the 1972-73 series.
By
then, I knew how brutally blunt he could be. His ebullient oratory had created
quite a flutter when he commented that the West Indian players wilted under
pressure. He said, “I like to think that people are building these West Indians
up because I am not really sure they are as good as everyone else thinks they
are. People are forgetting they were beaten 5-1 by the Aussies and barely
survived against the Indians. Sure, they have a couple of fast bowlers, but I
do not think we will run into anything faster than Lillee and Thomson. The West
Indians are magnificent when they are on top. But if they are down, they
grovel, and I intend to make them grovel.
”There was a furore as expected. The
word “grovel” carried sinister connotations for the West Indians, many of whom
had slave ancestry. At a time when apartheid and the Gleneagles Agreement were
live issues, a white South African using the word “grovel” was bound to be
explosive. Stung to the quick, the West Indian bowlers took special delight in
targeting Greig, and he became their prized wicket. True to his nature, he
expressed no remorse.
By then, Greig had made a smooth transition to the
commentary box. As a commentator, he was expressive, animated, and sometimes
theatrical. You could visualise his intense face and the excitement of the game
through his words. He probably knew, and perhaps even revelled in, his enduring
popularity in India whenever he commentated in matches involving the Indian
team.
Partly because he had seen me chatting at length with the likes of Bailey,
Henry Blofeld, and Peter Roebuck (who would later take his own life), Greig
spoke with complete candour when I interviewed him. “I still think of the West
Indians in the same breath,” he told me. I did not mince words either. “As a
commentator, your bias often showed. You spoke as fluently as the BBC greats
like Brian Johnston, Don Moseley, Jenkins, and Blofeld, but you sometimes
overplayed your hand. Was it exuberance or design?” I asked. “Oh, they are all
seasoned veterans and peerless,” he said with a smile, “but I am what I have to
be.
”That same flourish often coloured his commentary, whether he was describing
the cricket or the jewellery worn by ladies in the stands. His narration could
swing from extreme to extreme, sometimes carried away by his own passion, never
overly concerned about the fallout. Yet, whether one liked him or not, he
remained in a league of his own.
In that conversation, Greig spoke freely. Sometimes
criticising Indians, sometimes admiring them unabashedly. He was always candid,
never cautious. When he later spoke matter-of-factly about his lung cancer and
its inevitability, there was no trace of self-pity. Compare that with our own
Yuvraj Singh, whose bout with cancer was endlessly revisited by the media and
public.
In his last lecture at the Spirit of Cricket Cowdrey, Greig said, “I
have never had any doubt I did the right thing by my family and by cricket.”
He
truly epitomised that.