Raju Korti
For any writer worth his salt,
there can be no better publicity than becoming famous before the book is even
published. Controversy, after all, is the most efficient marketing tool mankind
has ever invented.
Which is why the unfolding saga around former Chief of Army Staff General M.M. Naravane’s memoir Four Stars of Destiny fascinates me not merely as a political skirmish but as a case study in how narratives are born, weaponised and amplified in modern India.
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| Book cover, a file grab |
What is unusual is the government’s insistence in Parliament that the book “has never been published” while hard copies of it are dramatically waved in the Lok Sabha by the Leader of Opposition. Defence Minister Rajnath Singh’s assertion may be technically correct in a narrow legal sense. But in the real world of publishing, a book is very often “born” long before it reaches a bookstore.
Having authored books myself, I know how this works. Publishers send soft copies and proof hard copies to authors for rechecking. These usually have no cover, no ISBN and are meant strictly for corrections. Once the book is officially published, authors receive complimentary copies which they can distribute as they please, depending on their contract.
What I find difficult to believe is that General Naravane personally sent a finished copy to Rahul Gandhi. A former army chief cannot privately print and circulate his book. The only plausible explanation is that a pre-publication copy, whether a proof, a promotional galley or a warehouse print run, found its way out.
And this is where modern publishing realities enter the picture. Publishers do not wait for launch day to start printing. Thousands of copies are often produced months in advance so that distribution across the country happens simultaneously. The suggestion that Penguin Random House may have printed the book anticipating clearance is not speculation. It is standard industry practice.
Add to this the fact that magazines like The Caravan reportedly accessed the manuscript or typescript, and Rahul Gandhi later floated the theory that the book had been published abroad. All this points to one simple truth: the book, in practical terms, was already in circulation in some form.
Trying to “un-ring the bell” once review copies are out is almost impossible. In fact, the government’s attempt to freeze the book may have done the worst possible thing. It transformed a routine military memoir into a forbidden document. The harder it was held back, the greater its political value became. Thus, was born the book war.
Rahul Gandhi quoted alleged excerpts claiming that during the China standoff, General Naravane kept alerting the political leadership about Chinese tank movements and received no clear direction for a long time. According to these quotes, he felt abandoned and was eventually told to act as he deemed fit, inheriting what he described as a “hot potato.
”The government countered sharply, arguing that quoting from an unpublished book violates parliamentary rules, harms national security and goes against national interest. And somewhere in the middle of this shouting match sat the author himself.
General Naravane chose a composed, professional silence. He merely reiterated that his job was to write the book and that it was the publisher’s responsibility to secure MoD approval. Notably, he did not dispute the authenticity of the leaked excerpts. Nor did he join the political slugfest. That silence speaks louder than any press conference.
Now comes the most intriguing twist. Some voices are suggesting legal action against Penguin Random House for allowing the book to leak or circulate without clearance. This is a double-edged sword.
If the government sues the publisher, it effectively confirms that the book exists and that its contents are genuine enough to warrant suppression. It would amount to acknowledging that what Rahul Gandhi is quoting is broadly what General Naravane wrote.
For Penguin, the stakes are equally high. If copies were printed or allowed to circulate without formal clearance, they could face legal trouble under the Official Secrets Act or service rules governing former military heads. Yet, practically speaking, once pre-orders, review copies and warehouses are involved, total containment becomes a logistical fantasy.
What fascinates me is how a memoir about military service has morphed into a political grenade. Lost in the noise is a basic point about the Indian Army itself.
There are countless instances where the army has acted decisively on the ground while keeping the government informed. It is among the most disciplined forces in the world. It seeks political clearance as a matter of constitutional propriety, not operational weakness. And when circumstances demand, it does not hesitate to respond firmly.
If General Naravane was indeed seeking clearer directions during a tense standoff, that reflects more on administrative decision-making than on military capability. This was not 1962. The army today is fully equipped and confident of handling provocations.
However, if the excerpts attributed to him are accurate, they do raise uncomfortable questions about the political leadership’s crisis response mechanisms. Which perhaps explains the nervousness around this book.
In trying to suppress it, the establishment may have inadvertently amplified its impact. A memoir that would have quietly sold a few thousand copies has now become a national talking point. It has acquired the aura of a banned book, always the most seductive category of all.
I cannot help but wonder how General Naravane feels watching his unpublished work ignite a political firestorm. Is he amused at the publicity every author secretly craves? Or troubled that a professional account of service has been dragged into partisan combat?
Either way, his book has already achieved what most writers only dream of. It has become famous before it has even been born. And in this strange episode, we have learned a larger lesson: in today’s India, it is not just battles on the border that matter. Even books can become battlegrounds. All is fair in love and war, they say.
Apparently, in publishing too.






